[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot and arts community to see

and arts community to see if funds could be raised on his behalf

The most famous book he designed while at Abrams was The History of Art by H

But when they got down to 10-point type Rogers balked

and Boston publishing history all rolled into one—which is fitting because that’s how we’ll send this to you: Rolled

[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot and arts community to seeAn empty envelope is worthless save for its potential to hold a letter. This one is no different save for the fact that it has a return address lettered by Billy Dwiggs. He had Studio No. 201 at 30 Ipswich Street in Boston from 1922 to 1929, but we have reason to believe that this is from 1923ish. A rare thing.